Review: Dark, deep, uncertain, troubled? imagine a beautiful nightmare you ever had? This is Blade Runner (1982). Ridley Scotts Blade Runner are great crafty science fiction film that not only touches on them, but bravely diving into deep philosophical questions, making it simple ten times more important than any film genre. I like not only gives an initial feeling, but because of its persistence? any of the images, threads or technology feel dated, but not so deep, gripping and current as ever. It is a timeless beauty with large doses of emotion.Set in 2019 Los Angeles, Blade Runner zooms in on an eerie lit, urban streets and follows Richard Deckard? Harrison Ford plays which brought great moral ambiguity elegant character? special police officer tracked down and ends up artificially created by human beings called replicants who have escaped from the Off-World colony and made their way to the country and should be stopped. Things Deckard encounters on his journey investigator raises many philosophical questions such as: Who actually replicant? A replicant really bad? If replicants are bad, when it is the reason why we got into trouble with our technology to create? Do people actually replicants? Is Deckard a hero? This really is a film claiming the following discussion and ambiguous ending leaves a haunting and eerie worst feeling.In high gloss coating futurism of science fiction and adventure of this, there are various elements of film noir is online? mainly bluish mist showing the film through its gritty urban atmosphere. Whoever thought of this combination is genius. As regards technology, it fits then Blade Runner includes a ridiculous amount of product placement, especially from Atari. In any other movie, this would have felt out of place, but here it is just perfect. The result of Vangelis strange relevant when combined with stunning cinematography Runner film.Blade deserves credit, celebrating and remembering it is simply a great film. 10 of 10 (and I'm not just throw this degree as some people) |
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